From
this vow rose the plaintive title of Wolfe’s final novel, “You
Can’t Go Home
Again,” published two years after the author’s death in
1940. Reflections on
Wolfe and on my own Carolina boyhood in Greensboro
came sweeping back last
autumn as I made an impulsive overnight drive
toward Asheville—where I had not
set foot in nearly 40 years—to try and
wring some solace from the last days of
the golf season up in the
Ridge.
I
was thinking about the summer I turned 11 and received my first
golf clubs. My
parents had them in the trunk when they picked me up one
Saturday morning at a
church camp several miles up the Blue Ridge
Parkway
from Asheville.
From there we made the short ride into
town, where my father was scheduled to
attend a newspaper convention at
the Grove Park Inn, a monumental structure
resembling a National Park
lodge or perhaps a castle from a Brothers Grimm fairy
tale. With dad
imprisoned in meetings, my non-golfing mother and I piloted the
first
golf cart I’d ever sat in around the hotel golf course, a stately piece of
ground bordered by avenues of Southern mansions.
The
quality of our golf must have been woeful, but the setting was
magical and I’ve
never forgotten that weekend in Wolfe’s Old Catawba
(the fictional town name),
which included a visit to the novelist’s
boyhood home, a restored, rambling
boardinghouse on Spruce
Street. Years later, at the same state university
Wolfe and my
father had attended some 20 years apart, I read his books and
wondered
what it was about Asheville that both inspired and afflicted this
towering, brooding talent. I vowed to someday go back and absorb
whatever artistic vibes I could—perhaps with golf clubs at
the ready in case the
literary experiment fizzled.
Funny
how life gets away from us. It had been nearly 30 years since
that English 101
inspiration and not once had I made it all the way
back to Asheville; now I was
headed there on a long-distance whim. In
the three-decade span that elapsed I
had expended my youth. Meanwhile
this handsome, tidy city seemingly became young
again: A cultural and
artistic renaissance has boosted the population to 67,000
and made
Asheville a must-see destination in many recent
tour books. Whether
they bring golf clubs, the sightseers dutifully tour
America’s oldest
Craft Guild and snap
photos of some of the best-preserved 1920s- and
Depression-era Art Deco
architecture in the country.
The
town’s narrow streets teem with art galleries and distinctive
restaurants, funky
clothing boutiques and one-of-a-kind designer
shops, all clustered around the Grove Arcade Public Market,
a restored
Neo-Gothic market building from 1929. With a thriving arts
community that hosts
an international film festival and supports no
fewer than six live theater
companies plus a legendary jazz club (the
Orange Peel on Biltmore Avenue, where
everyone from Ray Charles to Bob
Dylan has performed), it’s easy to understand
why Asheville has been
tagged “Boulder of the East,” a nod to the artsy college
town in the
foothills of the Colorado Rockies.
My
full-scale reunion with the venerable Grove Park Inn didn’t quite
come off, as
last-minute arrangements collided with a pair of medical
conventions that had
booked every room of the landmark hotel.
Plan B, billeting downtown in the beautiful Art Deco-style
Haywood Park Hotel on
Battery Park, proved a blessing in disguise,
however. Out the window of my
second-floor suite the streets of Wolfe’s
old town vibrated with life. Not five
minutes after dropping my bag and
heading out to investigate this tapestry of
delights, I discovered a
thriving independent bookstore called Malaprops,
several bohemian
coffee shops and street performers who sounded like they had
apprenticed under Doc and Merle Watson. All this, and not a chain-store
logo in
sight.